![]() ![]() In March 2016, the CATCHPLAY+ service platform made its pilot launch in Taiwan in partnerships with major telecommunication operators and device manufacturers. In addition to content aggregation, in 2015, CATCHPLAY established AsiaPlay Incorporated with the ambition of becoming the leading premium content service provider for movie lovers in Asia. Today, we are the largest provider for premium movie content in Taiwan, aggregating content from Hollywood studios including Disney, Warner Bros., NBC Universal and Paramount in addition to having a wide selection of international independent films and leading local productions for distribution on major operators’ digital platforms. ![]() ![]() Today, CATCHPLAY continues to look into investment and co-production opportunities internationally and in Asia targeting particularly Chinese-speaking territories and South East Asia following our recent expansion footprints.ĬATCHPLAY started placing significant emphasis on the development of digital movie content years before the others did in Taiwan. In the same year, CATCHPLAY also provided financing and local production support to director Martin Scorsese’s passion project Silence, making it the first international production filmed entirely in Taiwan. CATCHPLAY and partners also control exclusive distribution rights to these films in Taiwan, China, Hong Kong and Macau, with The Revenant generating outstanding box office results from these territories in 2016. In early 2015, we closed a partnership deal to invest in New Regency’s three enthralling titles, namely The Revenant, Assassin’s Creed and Splinter Cell, marking the first investment of a Taiwanese company in major Hollywood productions. Both investments generated considerable box office performance in Taiwan and China respectively. In the same year, we invested in the locally produced film, Paradise in Service and co-produced 20 Once Again with CJ Entertainment for the Chinese market. Learn more about fact-checking at AP.In 2014, in addition to distributing the movies CATCHPLAY loves, we embarked in earnest co-production and investment projects, venturing into content creation. This is part of AP’s effort to address widely shared misinformation, including work with outside companies and organizations to add factual context to misleading content that is circulating online. Geoscan did not respond to a request for comment about the video, and the clip was no longer on its TikTok account as of Friday. While it’s unclear who made the video, it was posted on TikTok on Tuesday by Geoscan Group, a company that produces drone shows, where it received millions of views. No such show was announced or advertised in Dubai either. And all their colors look the same, the glows look the same.”Īdditionally, flying drones over pedestrians in a crowded area like the one in the video is not safe, according to Ryan Sigmon, co-founder of Firefly Drone Shows in Detroit, who agreed that the skeleton does not look real.īeyond technological and logistical concerns, no one in the video is reacting to the behemoth above them and this is the only video from the alleged show that has appeared online - improbable in an age when most people carry a smartphone. ![]() You’re always going to have something in a live show. “You’re always going to have some wiggle. For example, it moves too fast for what drone technology currently allows, there is not enough noise coming from what he estimates to be about 2,000 drones, and there is an unlikely flawlessness to the display. Ward pointed to a number of clues in the video that indicate the skeleton is not what it seems. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |